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Essays about Travel (back
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To hear some
admissions officers tell it, they get at least one million
essays about travel every year. Approximately 800,000 are
about a trip to Europe that taught the writer “how
complex the world is” or “how all people have
the same hopes and dreams.” About 100,000 describe
an emotional trip to Jerusalem. The remaining 100,000 detail
journeys to Africa, Asia, or South America.
And every year,
of those one million travel essays, maybe three are interesting.
Face it—how many times do you think one admissions
officer can stand to read about a two-week vacation in Paris?
It’s not
that your trips are inherently boring, and it’s not
that the lessons you learn from travel are automatically
trite. Rather, most essays about travel are dull because
they lack the detail necessary to bring the reader on the
trip with you. Just saying you went to France and saw lots
of old stuff is neither exciting nor insightful. But describing
your relationship with your 91-year-old grandmother who
lives in the French countryside and doesn’t speak
English is exciting. Interesting and telling detail is the
key to a good travel essay—indeed, to all good essays.
This is precisely
why travel is such a difficult subject to choose for your
application essay. The emotions we feel when we travel are
so deep that it takes an exceptional writer to express them
without falling into cliché. Not one of the writers
in this section said, “I learned so-and-so on my trip
to Dublin.” Instead, each student brings you through
a memorable experience and lets you actually “see”
the scenes and feel the emotions for yourself.
John Sigalos,
the first essayist, could have written, “When I lived
in France, I met a dear old woman, and I learned that friendship
and love are the same in every language.” Fortunately,
he didn’t. His essay is so effective because he describes
one small incident instead of his whole trip. He shows us
the crucifix in his friend’s room, the wrinkles in
her cheek as she kisses him goodbye. Detail, detail, detail!
His imagery is so powerful that we can almost feel the tears
sting his eyes as he leaves.
The second writer
does another superb job with imagery. She shows the reader
the Chinese people through her eyes, and we share her frustration
over the language barrier. Although this is a successful
college essay, it’s also an example of what can happen
when there’s too much focus on the lessons to be learned.
The picture of China is thrown off-track by her need to
preach, and the lessons she preaches are numerous. Better
to focus with clarity on the country, and let the reader
come away aware of one specific lesson learned from the
experience.
The third essay
never preaches, yet the insight is there. Carly Kiel’s
sharp imagery and detailed description put us in that African
village with her. She makes a subtle reference to Joseph
Conrad’s Heart of Darkness without being
arrogant or flashy. The essay builds nicely to the one moment
at the end where she implies the memory of Africa that will
probably stay with her longer than any other, and she does
this entirely without sentimentality. (CLICK
HERE FOR CARLY KIEL’S ESSAY.)
Catherine Sustana
makes a trip within America sound sensational and inspiring.
You don’t need a trip to France or China or Africa
to make the travel theme work for you. This writer’s
impressions of the American West are superb; we are left
wanting to hear the stories she refers to in her closing
paragraphs. If you feel you’ve never been anywhere
exciting, think again. The truth is, everywhere is exciting
if you know how to appreciate it and if you have a passion
for it.
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